{"id":300168,"date":"2026-03-11T21:49:50","date_gmt":"2026-03-11T18:49:50","guid":{"rendered":"https:\/\/www.bugday.org\/blog\/?p=300168"},"modified":"2026-07-16T00:24:54","modified_gmt":"2026-07-15T21:24:54","slug":"odagina-dogayi-alan-sanatcilar-derin-uludag","status":"publish","type":"post","link":"https:\/\/www.bugday.org\/blog\/odagina-dogayi-alan-sanatcilar-derin-uludag\/","title":{"rendered":"Oda\u011f\u0131na Do\u011fay\u0131 Alan Sanat\u00e7\u0131lar: Derin Uluda\u011f"},"content":{"rendered":"\n

R\u00f6portaj: Emel K\u0131z\u0131lc\u0131k <\/em><\/p>\n\n\n\n

Do\u011fa \u00e7a\u011flar boyunca sanat\u00e7\u0131lara ilham vermekle kalmam\u0131\u015f, ihtiya\u00e7 duyduklar\u0131 t\u00fcm malzemeleri de sunmu\u015f. \u00c7\u00f6mlek\u00e7iler, sepet\u00e7iler, heykeltra\u015flar, dokumac\u0131lar boyalar\u0131n\u0131 f\u0131r\u00e7alar\u0131n\u0131, killerini iplerini, sazlar\u0131n\u0131 y\u00fcnlerini do\u011fadan derlemi\u015f.<\/p>\n\n\n\n

Bug\u00fcn sanat\u00e7\u0131lar i\u00e7in end\u00fcstri, sonsuz malzeme se\u00e7ene\u011fi sunsa da sanat\u00e7\u0131lar\u0131n do\u011fayla ba\u011f\u0131 kopmad\u0131\u011f\u0131 gibi baz\u0131 sanat\u00e7\u0131lar inatla, kararl\u0131l\u0131kla ve yarat\u0131c\u0131l\u0131\u011f\u0131na duyduklar\u0131 hayranl\u0131kla do\u011faya geri d\u00f6n\u00fcyor, fakat bu d\u00f6n\u00fc\u015f o ilk zamanlardan biraz farkl\u0131. Bu d\u00f6n\u00fc\u015f, do\u011fay\u0131 \u00f6l\u00fcms\u00fcz ve seyirlik dekoratif nesnelere d\u00f6n\u00fc\u015ft\u00fcrmekten \u00f6te, yeniden do\u011fmas\u0131na f\u0131rsat vermek i\u00e7in. <\/p>\n\n\n\n

Yontulmu\u015f mermerden filizlenen heykellere do\u011fru heyecan verici bir d\u00f6n\u00fc\u015f\u00fcme tan\u0131k oluyoruz.<\/p>\n\n\n\n

Derin Uluda\u011f, Dokuz Eyl\u00fcl \u00dcniversitesi Resim B\u00f6l\u00fcm\u00fc\u2019nde ba\u015flad\u0131\u011f\u0131 e\u011fitimin bir d\u00f6nemini \u0130talya\u2019n\u0131n Sicilya b\u00f6lgesinde, Accademia di Belle Arti di Catania\u2019da ge\u00e7irdi. \u0130lk sokak sergisini de burada yerel bir dernek olan Gammazita\u2019n\u0131n deste\u011fiyle a\u00e7t\u0131. Bu d\u00f6nemin ard\u0131ndan bir s\u00fcre \u0130spanya\u2019n\u0131n Barselona \u015fehrinde ya\u015fayan sanat\u00e7\u0131 staj\u0131n\u0131 Galeria Maxo\u2019da tamamlad\u0131. <\/p>\n\n\n\n

Y\u00fcksek lisans\u0131n\u0131 \u00c7anakkale Onsekiz Mart \u00dcniversitesi\u2019nde \u201cResimde Renk ve G\u00fcncel Resim Prati\u011finde Do\u011fal Boyalar\u0131n Kullan\u0131m\u0131\u201d ba\u015fl\u0131kl\u0131 teziyle tamamlad\u0131. Ayn\u0131 b\u00f6l\u00fcmde sanatta yeterlilik program\u0131na devam eden Derin Uluda\u011f, prati\u011fini at\u00f6lyeler arac\u0131l\u0131\u011f\u0131yla kolektif ve disiplinler aras\u0131 alanlara esnetmekte, soyut resim, ekoloji ve ham sanat \u00fczerine \u00e7al\u0131\u015fmalar\u0131na devam ediyor. <\/p>\n\n\n\n

Derin Uluda\u011f<\/strong> ile<\/strong> sanat\u00e7\u0131 olarak do\u011fayla kurdu\u011fu ba\u011fdan ve tohumlu heykel at\u00f6lyelerinden konu\u015ftuk.<\/strong><\/p>\n\n\n\n

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Tohumlu heykel yapma fikri nas\u0131l ortaya \u00e7\u0131kt\u0131?<\/strong><\/p>\n\n\n\n

Kendimi bildim bileli bir \u015feyler toplar\u0131m, bitki yeti\u015ftiririm. 2020 y\u0131l\u0131nda pandemi ba\u015flad\u0131\u011f\u0131nda \u00c7anakkale\u2019deydim, \u201csub insiyatifi\u201dne dahil olmu\u015ftum. Plastik sanatlarda kulland\u0131\u011f\u0131m\u0131z malzemeler ve \u00fcretimlerimizin s\u00fcre\u00e7 ve sonu\u00e7lar\u0131 hakk\u0131nda s\u0131k s\u0131k sohbet ediyorduk. Bu d\u00f6nemde mutfa\u011f\u0131m bir laboratuvar ve at\u00f6lyeye d\u00f6n\u00fc\u015ft\u00fc. Do\u011fal boyalar da buradan ortaya \u00e7\u0131kt\u0131, pek bir \u015feyi atm\u0131yordum. At\u0131klar\u0131n nelere d\u00f6n\u00fc\u015febilece\u011fine bak\u0131yordum. Tohumlar da saks\u0131lara gidiyordu tabii. \u00c7o\u011fu tohumun patlad\u0131\u011f\u0131n\u0131, ye\u015ferdi\u011fini g\u00f6rd\u00fcm. \u0130\u00e7indeki can\u0131n yo\u011funlu\u011funu ve hevesini fark ettik\u00e7e tohumlar beni heyecanland\u0131rd\u0131. <\/p>\n\n\n\n

Bir s\u00fcredir sanat prati\u011finde kulland\u0131\u011f\u0131m malzemeleri sorguluyor ve haz\u0131r malzemeden gittik\u00e7e uzakla\u015f\u0131yordum. O d\u00f6nem sub\u2019da t\u00fcrl\u00fc t\u00fcrl\u00fc malzemeyle oynad\u0131k, ambalaj at\u0131klar\u0131, mutfak art\u0131klar\u0131, hamur ka\u011f\u0131tlar, yosunlar\u2026 biyomalzemelerle bir\u00e7ok deney yapt\u0131k. Sonra bir g\u00fcn Fukuoka\u2019n\u0131n do\u011fal tar\u0131m y\u00f6ntemi ve tohum toplar\u0131 ile tan\u0131\u015ft\u0131m.<\/p>\n\n\n\n

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Tohumlarla ha\u015f\u0131r ne\u015fir olmaya 2020\u2019de evde saks\u0131lara yedi\u011fim meyve-sebzelerin tohumlar\u0131n\u0131 b\u0131rakarak ba\u015flad\u0131m. Ard\u0131ndan Masanobu Fukuoka ve tohum toplar\u0131 ile tan\u0131\u015ft\u0131m. K\u0131rsala ta\u015f\u0131n\u0131p bah\u00e7eyle ve bitkilerin d\u00f6ng\u00fcleriyle hemhal olduk\u00e7a tohumlara merak\u0131m b\u00fcy\u00fcd\u00fc. Onlar\u0131 izlemek, biriktirmek ve topra\u011fa b\u0131rakmak keyifliydi. <\/p>\n\n\n\n

Zamanla formlar\u0131 da beni b\u00fcy\u00fcledi. Bah\u00e7ede ve saks\u0131da ufak heykel denemeleri yapmaya ba\u015flad\u0131m. Pi\u015fmeyen kil heykeller ya\u011fmurda zamanla yok oluyor ve tohumlar topra\u011fa kar\u0131\u015f\u0131yordu. 2022 Eyl\u00fcl\u2019de \u0130zmir\u2019de ger\u00e7ekle\u015fen Dara\u011fa\u00e7 Rotasyon\u2019a dahil oldu\u011fumda sergi mek\u00e2nlar\u0131 aras\u0131nda bostan\u0131n da yer almas\u0131yla bir s\u00fcredir demlenen d\u00fc\u015f\u00fcnceler bir seri heykel ile forma kavu\u015ftu. Bostana yerle\u015fen heykeller ya\u011fmurlar ba\u015flay\u0131nca g\u00f6zden kayboldu ve umuyorum ki bar\u0131nd\u0131rd\u0131klar\u0131 tohumlar baharda filizlendi.<\/p>\n\n\n\n

At\u00f6lyeyi nerede, kimlerle yap\u0131yorsun?<\/strong><\/p>\n\n\n\n

\u00d6ylesine ak\u0131c\u0131, kapsay\u0131c\u0131 ve keyifli bir at\u00f6lye ki biraz elimizi kirletebildi\u011fimiz her yerde herkesle yapabiliyoruz. Tohumlu heykeller bug\u00fcne kadar \u00e7e\u015fitli ya\u015f gruplar\u0131yla, farkl\u0131 \u015fehirlerde 10\u2019dan fazla kez ger\u00e7ekle\u015ftirdi\u011fim bir at\u00f6lye prati\u011fi oldu.<\/p>\n\n\n\n

\u0130lk at\u00f6lyeyi a\u00e7\u0131k bir alanda, 2023\u2019te G\u00f6k\u00e7eada Plastiksiz Festival\u2019de yeti\u015fkinlerle ger\u00e7ekle\u015ftirdim. 2024 y\u0131l\u0131n\u0131n ba\u015f\u0131nda \u00c7anakkale Mahal\u2019de \u00e7ocuklarla iki at\u00f6lye, bahar aylar\u0131nda Serhat k\u00f6y\u00fcnde bir sanat\u00e7\u0131n\u0131n bize evini a\u00e7mas\u0131yla yeti\u015fkinlerle bir at\u00f6lye ger\u00e7ekle\u015fti. Ayn\u0131 y\u0131l sonbaharda Zero Gathering kapsam\u0131nda Bozcaada \u0130lkokulu\u2019nda \u00e7ocuklar ile kendi okullar\u0131nda bir at\u00f6lye yapt\u0131k ve heykelleri sokaklara yerle\u015ftirdik. 2025\u2019te Postane \u0130stanbul\u2019da Esra G\u00fcven e\u015fli\u011finde hem \u00e7ocuklar hem yeti\u015fkinlerle birlikte tohumlu heykeller yapt\u0131k. 5 Haziran D\u00fcnya \u00c7evre G\u00fcn\u00fc\u2019nde Bozcaada Gathering kapsam\u0131nda \u00e7ocuklar ile bir at\u00f6lye d\u00fczenledik, heykelleri kamusal alanda olu\u015fturdu\u011fumuz spiral bah\u00e7ede sergiledik ve b\u00fcy\u00fcmeye b\u0131rakt\u0131k. En son Polenkolektif ile Hatay Defne\u2019de \u00fc\u00e7 farkl\u0131 okulda at\u00f6lyeler ger\u00e7ekle\u015ftirdik. K\u0131sacas\u0131 her ya\u015f grubu ile \u00e7e\u015fit \u00e7e\u015fit mek\u00e2nda bu at\u00f6lyeyi ger\u00e7ekle\u015ftirebiliyoruz.<\/p>\n\n\n\n

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Tohumlu heykellerde do\u011fal pigmentler kullan\u0131yor musun?<\/strong><\/p>\n\n\n\n

Topra\u011f\u0131n ve tohumlar\u0131n kendi rengi yeterli geldi \u015fu ana kadar. Nadiren farkl\u0131 renkte killerle k\u00fc\u00e7\u00fck m\u00fcdahaleler yapt\u0131m san\u0131r\u0131m. Toprak pigmentleri bu anlamda \u00e7ok kullan\u0131\u015fl\u0131 ve yeterli oluyor.<\/p>\n\n\n\n

\u00c7ocuklarla yapt\u0131\u011f\u0131n at\u00f6lyelerdeki izlenimlerin neler?<\/strong><\/p>\n\n\n\n

\u00c7o\u011funlukla s\u00fcrece kolayca adapte olduklar\u0131n\u0131, tohumlar\u0131 tan\u0131maktan keyif ve heyecan duyduklar\u0131n\u0131 g\u00f6zlemledim. Bu at\u00f6lyelerde topraktaki d\u00f6ng\u00fcden, tohumlar\u0131n sa\u00e7\u0131lmak i\u00e7in geli\u015ftirdi\u011fi y\u00f6ntemlerden bahsediyorum. Bunlar \u00e7ok ilgin\u00e7 konular, hem de e\u011flenceli. Tohumlar\u0131n \u015fekilleri t\u00fcrl\u00fc t\u00fcrl\u00fc, \u00e7a\u011fr\u0131\u015f\u0131m yoluyla ak\u0131llar\u0131na bir \u015feyler geliyor. B\u00f6ylece yapacaklar\u0131 \u015feye dair fikir bulmakta zorlanm\u0131yorlar, ortaya \u00e7\u0131kacak sonu\u00e7la ilgili kayg\u0131 duymuyorlar ve direk \u00fcretime dal\u0131yorlar genelde. Farkl\u0131 becerilere sahip \u00e7ocuklar\u0131n bir arada \u00fcretebildi\u011fi, kendi yarat\u0131c\u0131l\u0131klar\u0131n\u0131 ke\u015ffettikleri kapsay\u0131c\u0131 bir pratik oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Ortaya da inan\u0131lmaz keyifli \u015feyler \u00e7\u0131k\u0131yor. <\/p>\n\n\n\n

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At\u00f6lyeler devam edecek mi, ne zaman nerede kat\u0131labilirler?<\/strong><\/p>\n\n\n\n

Tabii, at\u00f6lyeleri sosyal medya hesab\u0131mdan duyuruyorum. Oradan takip edebilirsiniz.<\/p>\n\n\n\n

At\u00f6lye d\u00fczenlemek isteyen ki\u015fi ya da kurumlar sana nas\u0131l ula\u015fabilir? <\/strong><\/p>\n\n\n\n

Mail ya da sosyal medya \u00fczerinden bana ula\u015fabilirler. \u00c7a\u011fr\u0131ya ve mek\u00e2nsal olanaklara g\u00f6re s\u00fcreci adapte edebiliyorum.<\/p>\n\n\n\n

Derin Uluda\u011f<\/em><\/p>\n\n\n\n

E-posta: deirnu@gmail.com<\/em>
<\/em>Instagram: @derinlludag<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00f6portaj: Emel K\u0131z\u0131lc\u0131k Do\u011fa \u00e7a\u011flar boyunca sanat\u00e7\u0131lara ilham vermekle kalmam\u0131\u015f, ihtiya\u00e7 duyduklar\u0131 t\u00fcm malzemeleri de sunmu\u015f. \u00c7\u00f6mlek\u00e7iler, sepet\u00e7iler, heykeltra\u015flar, dokumac\u0131lar boyalar\u0131n\u0131 f\u0131r\u00e7alar\u0131n\u0131, killerini iplerini, sazlar\u0131n\u0131 y\u00fcnlerini do\u011fadan derlemi\u015f. Bug\u00fcn sanat\u00e7\u0131lar i\u00e7in end\u00fcstri, sonsuz malzeme se\u00e7ene\u011fi…<\/p>\n","protected":false},"author":9,"featured_media":300198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[804,18,271,1469,108],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/300168"}],"collection":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/comments?post=300168"}],"version-history":[{"count":10,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/300168\/revisions"}],"predecessor-version":[{"id":300499,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/300168\/revisions\/300499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/media\/300198"}],"wp:attachment":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/media?parent=300168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/categories?post=300168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/tags?post=300168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}