{"id":298711,"date":"2024-12-05T17:13:04","date_gmt":"2024-12-05T14:13:04","guid":{"rendered":"https:\/\/www.bugday.org\/blog\/?p=298711"},"modified":"2024-12-11T14:18:10","modified_gmt":"2024-12-11T11:18:10","slug":"lalehan-uysalin-gozunden-tohumlar-kurda-kusa-asa-ve-goze","status":"publish","type":"post","link":"https:\/\/www.bugday.org\/blog\/lalehan-uysalin-gozunden-tohumlar-kurda-kusa-asa-ve-goze\/","title":{"rendered":"Tasar\u0131mc\u0131 Lalehan Uysal’\u0131n g\u00f6z\u00fcnden tohumlar: Kurda, Ku\u015fa, A\u015fa ve G\u00f6ze…"},"content":{"rendered":"\n

Do\u011fa, insan\u0131n sanatla olan ba\u011f\u0131n\u0131 nas\u0131l \u015fekillendirir? Lalehan Uysal, 30 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir Bu\u011fday Hareketi\u2019ne g\u00f6n\u00fcl vermi\u015f bir sanat\u00e7\u0131 ve tohum g\u00f6zlemcisi olarak do\u011fan\u0131n k\u00fc\u00e7\u00fck mucizelerinden biri olan tohumlar\u0131 sanat\u0131n\u0131n merkezine al\u0131yor. Hem yarat\u0131c\u0131 hem de ilham verici hikayesiyle tohumlar\u0131n b\u00fcy\u00fcl\u00fc d\u00fcnyas\u0131na bir yolculu\u011fa \u00e7\u0131kar\u0131yor.<\/strong><\/p>\n\n\n\n

Lalehan Uysal, 30 y\u0131ld\u0131r Bu\u011fday Hareketi\u2019ne g\u00f6nl\u00fcn\u00fc ve eme\u011fini veren bir kreatif direkt\u00f6r, grafik tasar\u0131mc\u0131 ve tohum g\u00f6zlemcisi. Marmara \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi\u2019nden mezun olduktan sonra Geli\u015fim Yay\u0131nlar\u0131, Skylife, Onair gibi \u00f6nemli yay\u0131nlarda kreatif direkt\u00f6r ve dan\u0131\u015fman olarak \u00e7al\u0131\u015ft\u0131. <\/p>\n\n\n\n

\"\"<\/figure>
\n

1997\u2019den beri Bu\u011fday Derne\u011fi\u2019nin kurumsal kimlik, yay\u0131nc\u0131l\u0131k ve proje \u00e7al\u0131\u015fmalar\u0131nda aktif rol al\u0131yor. T\u00fcrkiye\u2019nin ilk ekolojik pazar\u0131 olan \u015ei\u015fli %100 Ekolojik Pazar\u2019\u0131n kurucular\u0131ndan biri olan Lalehan, ayn\u0131 zamanda 2020\u2019den beri “Kurda Ku\u015fa A\u015fa” podcast serisini haz\u0131rl\u0131yor. Kreatif direkt\u00f6r, yazar, edit\u00f6r olarak bir\u00e7ok yay\u0131nda ad\u0131 olsa da Lalehan bug\u00fcn kendisini \u201ctohum g\u00f6zlemcisi\u201d<\/strong> olarak tan\u0131ml\u0131yor ve sanat\u0131nda tohumlar\u0131n b\u00fcy\u00fcl\u00fc d\u00fcnyalar\u0131n\u0131 ortaya \u00e7\u0131kar\u0131yor. \u0130lk sergisini 2018\u2019de Oxford \u00dcniversitesi\u2019nde bir sempozyumda a\u00e7an Lalehan makrografik tohum foto\u011fraflar\u0131n\u0131 sergilemeyi s\u00fcrd\u00fcr\u00fcyor. Sergilerinin de\u011fi\u015fmez ad\u0131, podcastlerinin ad\u0131ndan bir kelime farkl\u0131; \u201cKurda, Ku\u015fa, A\u015fa\u2026 Ve G\u00f6ze\u201d\u2026<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Bu\u011fday\u2019\u0131n g\u00f6z\u00fc olan Lalehan Uysal\u2019\u0131 bir de kendisinden dinleyelim. Kimdir Lalehan?<\/em><\/strong><\/p>\n\n\n\n

Kimdir sorusunun cevab\u0131n\u0131 bence en iyi toprak verir. B\u00fct\u00fcn canl\u0131lar gibi bir tohumum ben. Ailem can suyumu u\u00e7suz bucaks\u0131z ay\u00e7i\u00e7ek tarlalar\u0131 ile dolu Trakya\u2019n\u0131n topra\u011f\u0131nda vermi\u015f. \u0130\u015fte o g\u00fcn bug\u00fcn r\u00fczg\u00e2r\u0131n savurdu\u011fu topraklarda tohum olmay\u0131 deneyimliyorum.<\/p>\n\n\n\n

\n
\"\"<\/a>
\u00c7ekirde\u011fi oyal\u0131\/yaz\u0131l\u0131 karpuz<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Horoz \u0130bi\u011fi<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
K\u0131nal\u0131 bamya<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Senin i\u00e7in sanat nedir? Sanat sana ne ifade ediyor? <\/em><\/strong><\/p>\n\n\n\n

Y\u00fczy\u0131llard\u0131r \u201csanat nedir?\u201d sorusuna cevap aram\u0131\u015f, kitaplar yazm\u0131\u015f, farkl\u0131 kuramlar, disiplinlerle sanat\u0131 tan\u0131mlamaya \u00f6mr\u00fcn\u00fc adam\u0131\u015f d\u00fc\u015f\u00fcnce insanlar\u0131 var. Bize gelece\u011fin sanat tan\u0131m\u0131n\u0131 yapabilmemiz i\u00e7in \u0131\u015f\u0131k tutup yol g\u00f6steren insanlar\u2026 Bug\u00fcn ya\u015fasayd\u0131lar y\u00fczy\u0131l\u0131n verileriyle sanat\u0131 yeniden tan\u0131mlarlard\u0131. <\/p>\n\n\n\n

Ben sanat dahil bir\u00e7ok b\u00fcy\u00fck kavram\u0131n a\u00e7\u0131k kavramlar oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Yani \u00e7er\u00e7eveleri olmayan kavramlar\u2026 \u00d6zel birka\u00e7 kavram gibi sanat da bana g\u00f6re a\u00e7\u0131k bir kavram ve onu biz de\u011fil zaman\u0131n ruhu tan\u0131mlar.  Bu tan\u0131mlanamaz haliyle sanat bana insan ruhunu ifade ediyor. <\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n

Lalehan\u2019\u0131n do\u011fa ile ki\u015fisel ba\u011f\u0131 nas\u0131l?<\/em><\/strong><\/p>\n\n\n\n

Ba\u011f \u00e7ok anlaml\u0131 bir kelime. Bug\u00fcn \u00e7ok \u015feyle aram\u0131zda kalmayan \u015fey. Akasma (Cleamatis Vitelba) ile \u00f6r\u00fcmcek aras\u0131nda olan \u015fey ya da. Akasma say\u0131s\u0131z beyaz \u00e7i\u00e7ekli bir sarma\u015f\u0131k. Sonbaharda zarif \u00e7i\u00e7ekleri yerini u\u00e7u\u015fan bembeyaz sanki ipek iplikten t\u00fcy k\u00fcmelerine b\u0131rak\u0131r. Dantelden farks\u0131zd\u0131rlar. G\u00f6r\u00fcnce b\u00fcy\u00fclenirsiniz. \u00d6r\u00fcmcek gelir ve k\u00fcmeden k\u00fcmeye incecik iplikleriyle Akasma\u2019ya dolan\u0131r. A\u011f\u0131n\u0131 \u00f6rer, birbirlerine kar\u0131\u015f\u0131rlar, bir b\u00fct\u00fcn olurlar. \u00d6r\u00fcmce\u011fin evi Akasma, benim evim do\u011fa. Do\u011fa benim de\u011fil ben onun bir par\u00e7as\u0131y\u0131m. Birlikte b\u00fct\u00fcn\u00fcz. Do\u011fayla aramdaki ba\u011f\u0131n ad\u0131: ya\u015fam ba\u011f\u0131<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Do\u011fa, senin sanat\u0131nda nas\u0131l, hangi de\u011ferleriyle yer al\u0131yor?<\/em><\/strong><\/p>\n\n\n\n

Tam tersi; do\u011fa benim sanat\u0131mda de\u011fil ben do\u011fan\u0131n sanat\u0131nda yer al\u0131yorum. <\/p>\n\n\n\n

<\/div>\n\n\n\n

Do\u011fa benim i\u00e7in en b\u00fcy\u00fck sanat\u00e7\u0131. Ben onun sanat\u0131n\u0131 g\u00f6stermek i\u00e7in el\u00e7iyim. Gezegen onun \u015faheserleriyle bezeli. Ben de\u011ferli eserleri aras\u0131nda g\u00f6rd\u00fc\u011f\u00fcm ya\u015fam\u0131n s\u00fcrd\u00fcr\u00fclebilirli\u011finin cevheri olan tohumlara \u00e7ok yak\u0131ndan bakmay\u0131 ve foto\u011fraflamay\u0131 se\u00e7tim. Manolya tohumlar\u0131n\u0131n benzersiz k\u0131rm\u0131z\u0131 renklerini, k\u00fc\u00e7\u00fcc\u00fck siyah sarma\u015f\u0131k tohumunun \u00fczerinde olu\u015fmu\u015f kalp \u015feklini, elle bir yaz\u0131 oyulmu\u015f san\u0131lan karpuz \u00e7ekirde\u011finin \u00fczerindeki \u00e7izgiler farkedilsin istedim. Tohumlar ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7evre k\u0131r\u0131m\u0131nda yok olmadan do\u011fan\u0131n bana sundu\u011fu kadar\u0131n\u0131 g\u00f6rsel \u00f6zellikleriyle kayda almak, g\u00f6rd\u00fcklerimi sergiler a\u00e7arak g\u00f6stermek istedim. Tohumlar sadece yedi\u011fimiz \u015feylerin kayna\u011f\u0131 olarak g\u00f6r\u00fclmesinler, g\u00f6lgesinde oturdu\u011fumuz a\u011fa\u00e7lar\u0131n tohumlar\u0131n\u0131, saks\u0131m\u0131zdaki \u00e7i\u00e7e\u011fin tohumunun da bilinmesini ama\u00e7 edindim. Foto\u011fraflar\u0131m arac\u0131l\u0131\u011f\u0131yla tohumlar\u0131n evimizin duvarlar\u0131nda sanat eseri olarak hayat\u0131m\u0131za kat\u0131lmalar\u0131 i\u00e7in \u00e7abalad\u0131m. Tohumlar gibi foto\u011fraflar\u0131m da \u00e7o\u011fald\u0131.<\/p>\n\n\n\n

\n
\"\"<\/a>
Mercan A\u011fac\u0131<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ay \u00e7ekirde\u011fi<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Kudret nar\u0131<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Sanat\u0131n\u0131n oda\u011f\u0131na do\u011fa nas\u0131l girdi? Sanat\u0131n\u0131 ve seni nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc? <\/em><\/strong><\/p>\n\n\n\n

Par\u00e7as\u0131 oldu\u011fum do\u011fa ilk nefesimden bug\u00fcne oda\u011f\u0131mda.<\/strong> Son nefesimde de i\u00e7imde, oda\u011f\u0131mda olmas\u0131n\u0131 diliyorum. Onun hi\u00e7 bir ara\u00e7 ve sanatsal malzeme kullanmadan sergiledi\u011fi eserler bana ilham veriyor. <\/p>\n\n\n\n

Ailem topra\u011f\u0131 olan eken, bi\u00e7en insanlar de\u011fildi. Ama annem ba\u015fta, teyzelerim, anneannem, babaannem \u201celi ye\u015fil\u201d kad\u0131nlard\u0131. Yani topra\u011fa kuru dal koysalar ye\u015ferirdi. Han\u0131melinin ne zaman \u00e7i\u00e7ek a\u00e7t\u0131\u011f\u0131n\u0131, erik a\u011fac\u0131n\u0131n ne zaman meyve verece\u011fini, domates tohumu almay\u0131, bamya tohumlar\u0131n\u0131 saklamay\u0131, \u00e7i\u00e7ek adlar\u0131n\u0131, a\u011fa\u00e7lar\u0131 yapraklar\u0131ndan tan\u0131may\u0131 ana dilim gibi bu kad\u0131nlardan \u00f6\u011frendim. Ve bu dili hi\u00e7 unutmad\u0131m. Bu dili konu\u015fanlarla arkada\u015f oldum. \u00dc\u00e7, be\u015f derken \u00e7o\u011fald\u0131k. Bu\u011fdaygiller dedi\u011fimiz bir ailem oldu. Birlikte \u201cya\u015fam d\u00f6n\u00fc\u015f\u00fcmd\u00fcr\u201d dedik. Dergi ve rehber kitaplar yay\u0131nlad\u0131k, dernek kurduk. \u00d6rnek projeler yapt\u0131k, yapmaya devam ediyoruz. De\u011fi\u015fip, d\u00f6n\u00fc\u015ft\u00fck ve d\u00f6n\u00fc\u015ft\u00fcrd\u00fck. De\u011fi\u015fmeye, d\u00f6n\u00fc\u015fmeye, d\u00f6n\u00fc\u015ft\u00fcrmeye de devam ediyoruz. <\/p>\n\n\n\n

Do\u011fan\u0131n her hali ilham kayna\u011f\u0131m ise Bu\u011fday Ekolojik Ya\u015fam\u0131 Destekleme Derne\u011fi, ya\u015fam\u0131mda ve sanat eseri kabul edilen \u00fcrettiklerimde g\u00fcvendi\u011fim da\u011f. <\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/a>
Me\u015fe palamudu<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Sedef<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Karak\u0131l\u00e7\u0131k bu\u011fday\u0131<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Tohum foto\u011fraflar\u0131 \u00e7ekerken seni \u00e7ok etkileyen bir an ya da an\u0131n var m\u0131?<\/em><\/strong><\/p>\n\n\n\n

Bir hik\u00e2yem var\u2026 Adana\u2019dan \u0130stanbul\u2019a foto\u011fraf\u0131n\u0131 \u00e7ekmem i\u00e7in g\u00f6nderilen \u00c7ukurova tohumlar\u0131ndan Karak\u0131l\u00e7\u0131k Bu\u011fday\u0131\u2019n\u0131 foto\u011fraflarken g\u00fcne\u015fli bir terasta hayli zaman ge\u00e7irdim. Kara kara k\u0131l\u00e7\u0131klara g\u00fcne\u015f vursun, g\u00f6lge d\u00fc\u015fs\u00fcn istiyordum. Bir t\u00fcrl\u00fc istedi\u011fim kareyi yakalayamad\u0131m. \u00c7ok oyaland\u0131m. Deklan\u015f\u00f6re bas\u0131yordum ama \u00f6ylesine. Birden bu\u011fday ba\u015fa\u011f\u0131n\u0131 yuva se\u00e7mi\u015f kanatl\u0131 bir b\u00f6cek \u00e7\u0131k\u0131verdi. K\u0131sa bir s\u00fcre \u015fa\u015fk\u0131nl\u0131ktan sonra video \u00e7ekmeyi ak\u0131l ettim. Hayli dola\u015ft\u0131 ba\u015faklar\u0131n aras\u0131nda. Tanelerin i\u00e7ine girdi, \u00e7\u0131kt\u0131. O arada g\u00fcne\u015f istedi\u011fim g\u00f6lgeleri verdi. Sevindim, bakt\u0131m bizim misafir kaybolmu\u015f. Foto\u011frafa d\u00f6nd\u00fcm. \u0130stedi\u011fim kareyi \u00e7ektim ve ba\u015faklar\u0131 da cam t\u00fcpte foto\u011fraf\u0131yla birlikte sergilemek i\u00e7in Adana\u2019ya g\u00f6t\u00fcrd\u00fcm.<\/p>\n\n\n\n

\"\"<\/figure>
\n

Sergi g\u00fcn\u00fc merakl\u0131 bir \u00e7ocuk, t\u00fcp\u00fc a\u00e7\u0131p bir ba\u015fak almakta \u0131srarc\u0131 olunca bizim kanatl\u0131 da sakland\u0131\u011f\u0131 yerden \u00e7\u0131kt\u0131. Tanelerden olu\u015fan foto\u011fraf\u0131m\u0131n \u00fcst\u00fcne kondu. \u0130ki g\u00fcn s\u00fcren sergi boyunca hi\u00e7 k\u0131p\u0131rdamadan foto\u011fraf\u0131mdaki bir bu\u011fday tanesinin \u00fcst\u00fcnde durdu. Onu foto\u011fraf\u0131m\u0131n \u00fczerinde  foto\u011fraflad\u0131m. Me\u011fer birlikte seyahat etmi\u015fiz. Ya\u015fad\u0131\u011f\u0131 ba\u015fa\u011f\u0131 ve onu, ait oldu\u011fu topraklarda Adana da b\u0131rak\u0131p \u0130stanbul\u2019a d\u00f6nd\u00fcm. Bilmiyorum \u00f6mr\u00fc uzun muydu, k\u0131sa m\u0131yd\u0131? Bildi\u011fim, bana \u00f6mr\u00fcm boyunca akl\u0131mdan \u00e7\u0131kmayacak bir aidiyet hik\u00e2yesi b\u0131rakt\u0131\u011f\u0131\u2026<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Yeni projelerin var m\u0131?<\/em><\/strong><\/p>\n\n\n\n

Tohum foto\u011fraflar\u0131mla haz\u0131rlad\u0131\u011f\u0131m kitap en b\u00fcy\u00fck projem. Ne zaman biter, bilmiyorum. <\/p>\n\n\n\n

Ba\u015fka bir kitap i\u00e7in \u00f6n\u00fcm\u00fczdeki aylarda, Anadolu bu\u011fdaylar\u0131n\u0131 foto\u011fraflayaca\u011f\u0131m.<\/p>\n\n\n\n

Tarihi belirlenmedi, yerel y\u00f6netimlerle yap\u0131lan uluslararas\u0131 bir proje kapsam\u0131nda ilgili b\u00f6lgenin tohumlar\u0131yla bir sergi ger\u00e7ekle\u015ftirece\u011fim. <\/p>\n\n\n\n

D\u00fc\u015flerim de var;<\/p>\n\n\n\n

\u015eehir \u015fehir b\u00f6lge b\u00f6lge dola\u015fmay\u0131, o topraklara has tohumlar\u0131 foto\u011fraflamay\u0131 ve sergilemeyi d\u00fc\u015fl\u00fcyorum. <\/p>\n\n\n\n

Modern Nuh\u2019un Ambar\u0131 olarak tan\u0131mlanan Norve\u00e7 Svalbard\u2019taki tohum deposuna gitmeyi ve d\u00fcnyan\u0131n b\u00fct\u00fcn tohumlar\u0131n\u0131 g\u00f6rebilmeyi, bana korunduklar\u0131 yerden g\u00fcl\u00fcmseyen tohumlar\u0131 foto\u011fraflamay\u0131 hayal ediyorum.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Do\u011fa ile kurdu\u011fu ba\u011fdan ilham ald\u0131\u011f\u0131n ba\u015fka sanat\u00e7\u0131lar, foto\u011fraf\u00e7\u0131lar kimler?<\/em><\/strong><\/p>\n\n\n\n

Sanat\u00e7\u0131, do\u011fadan ilham aland\u0131r. Eserinde do\u011fay\u0131 g\u00f6rmemiz gerekmez. B\u00f6yle tan\u0131mlay\u0131nca ilham ald\u0131\u011f\u0131m say\u0131s\u0131z isim var elbette. Yine de akl\u0131mdan hi\u00e7 \u00e7\u0131kmayan bir ka\u00e7 isim vermek isterim. <\/p>\n\n\n\n

Georgia O\u2019Keeffe: <\/strong>Do\u011fan\u0131n en k\u00fc\u00e7\u00fck detaylar\u0131n\u0131 devasa boyutlarda resimlemesini; renkleri, \u00e7i\u00e7ekleri, yapraklar\u0131 g\u00f6rme bi\u00e7imini \u00e7arp\u0131c\u0131 ve sars\u0131c\u0131 bulurum. Ya\u015fad\u0131\u011f\u0131 y\u00fczy\u0131l i\u00e7in yenilik\u00e7i d\u00fc\u015f\u00fcncelerle fark yaratm\u0131\u015f bir sanat\u00e7\u0131. <\/p>\n\n\n\n

Alfred Stieglitz: <\/strong>Bir d\u00f6nem evli oldu\u011fu O\u2019Keeffe gibi ya\u015fad\u0131\u011f\u0131 d\u00f6neme foto\u011fraflar\u0131 kadar d\u00fc\u015f\u00fcnceleriyle de imza atm\u0131\u015f biri. 22 \u015eubat 1893\u2019te kar f\u0131rt\u0131nas\u0131 alt\u0131nda 3 saat bekleyerek \u00e7ekti\u011fi \u201cFifth Avenue, Winter\u201d ad\u0131n\u0131 verdi\u011fi foto\u011fraf i\u00e7in \u201cUygun zaman\u0131 bekledim. Ve sabr\u0131m kesinlikle \u00f6d\u00fcllendirildi. Elbette \u015fans da bir fakt\u00f6r \u00e7\u00fcnk\u00fc saatlerce bekleyebilir fakat arzu etti\u011fim sonuca varmam m\u00fcmk\u00fcn olmayabilirdi\u201d s\u00f6zleri bir tohumu istedi\u011fim gibi \u00e7ekemeden g\u00fcn\u00fc bitirdi\u011fimde bana tekrar ba\u015flama g\u00fcc\u00fc ve ilham\u0131 verir.<\/p>\n\n\n\n

Andy Goldsworthy:<\/strong> Onun do\u011fadan toplad\u0131\u011f\u0131 malzemelerle ge\u00e7ici sanat eserleri yaratarak, do\u011fan\u0131n de\u011fi\u015fen, d\u00f6n\u00fc\u015fen ve yenilenen y\u00fcz\u00fcn\u00fc g\u00f6sterme d\u00fc\u015f\u00fcncesi, beni sanat eserinin bir galeride sergilenen, sahip olunacak tek ve e\u015fsiz bir de\u011fer olmas\u0131 fikrinden uzakla\u015ft\u0131rd\u0131\u011f\u0131 i\u00e7in \u00e7ok etkiler. <\/p>\n\n\n\n

Ara G\u00fcler:<\/strong> \u201cBen d\u00fcnya vatanda\u015f\u0131y\u0131m. D\u00fcnyan\u0131n foto muhabiriyim\u201d <\/em>diye tan\u0131mlad\u0131 var olu\u015funu. Foto\u011fraf sanat\u00e7\u0131s\u0131 titri ona hi\u00e7bir \u015fey ifade etmedi. Foto\u011fraf\u0131n sanat olmas\u0131 da ilgisini \u00e7ekmedi. \u201cSanat olmas\u0131na l\u00fczum yoktur foto\u011fraf\u0131n. Foto\u011fraf tarih olay\u0131d\u0131r. Tarihi zaptediyorsun. Bir makine ile tarihi durduruyorsun\u201d<\/em> dedi. Ama foto\u011fraflar\u0131 o ne derse desin sanat eseriydi. Ayn\u0131 zamanda her foto\u011fraf e\u015fsiz bir belgeydi. Ayn\u0131 y\u00fczy\u0131lda ya\u015famak, onu tan\u0131m\u0131\u015f olmak, m\u00fczesinin oldu\u011fu mekanda sergi a\u00e7mak benim i\u00e7in hem ilham hem de onur verici. <\/p>\n\n\n\n

Manuel \u00c7\u0131tak: <\/strong>Birlikte \u00e7al\u0131\u015fma \u015fans\u0131n\u0131 yakalad\u0131\u011f\u0131m ama erken kaybetti\u011fimiz can arkada\u015f\u0131m Manuel, viz\u00f6rden g\u00f6z\u00fcyle de\u011fil ruhu ile bakt\u0131 ve okumalara doyulmaz g\u00f6rsel hik\u00e2yeler \u00e7ekti. Beyo\u011flu\u2019nu Taksim ya da Galatasaray Meydan\u0131\u2019ndan de\u011fil tramvay\u0131n i\u00e7inden g\u00f6r\u00fcnt\u00fcledi\u011fi foto\u011fraf, bana bakman\u0131n, g\u00f6rmenin s\u0131n\u0131rs\u0131z a\u00e7\u0131lar\u0131n\u0131 hat\u0131rlat\u0131r. <\/p>\n\n\n\n

\u0130brahim \u015eim\u015fek:<\/strong> Bazen ku\u015f bak\u0131\u015f\u0131 videolar\u0131, bazen \u015fa\u015f\u0131rt\u0131c\u0131 a\u00e7\u0131lardan \u00e7ekti\u011fi foto\u011fraflar\u0131 ya\u015fad\u0131\u011f\u0131m\u0131z topraklar\u0131n b\u00fcy\u00fcl\u00fc, sihirli yan\u0131n\u0131, Anadolu\u2019nun engin, zengin, bereketli co\u011frafyas\u0131n\u0131 g\u00f6steriyor. Bir \u00e7ok foto\u011fraf\u0131 bana ya\u015fam ilham\u0131 veriyor. <\/p>\n\n\n\n

Henri Cartier Bresson: <\/strong>O siyah beyaz \u00e7ekti\u011fi foto\u011fraflar\u0131, foto\u011fraf \u00fczerine yazd\u0131klar\u0131 ve s\u00f6yledikleriyle hatta yapt\u0131klar\u0131yla d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc ve ilham verici benim i\u00e7in. \u201cFoto\u011fraf \u00e7ekmek insan\u0131n g\u00f6z\u00fcn\u00fc, akl\u0131n\u0131 ve y\u00fcre\u011fini ayn\u0131 hizaya getirmesidir\u201d <\/em>diyen de \u201cFoto\u011fraf\u0131 makine de\u011fil, insan \u00e7eker\u201d <\/em>diyen de yine o\u2026  Do\u011fa foto\u011fraf\u00e7\u0131s\u0131 olarak tan\u0131mlayamayaca\u011f\u0131m\u0131z Bresson\u2019un do\u011fada \u00f6nem verdi\u011fi iki \u015fey:  biri insan, di\u011feri de do\u011fal \u0131\u015f\u0131k. Asla fla\u015f kullanmayan Bresson \u201cBenim g\u00f6z\u00fcm\u00fcn bir uzant\u0131s\u0131\u201d <\/em>dedi\u011fi k\u00fc\u00e7\u00fck Leica kameras\u0131yla \u201cmutlak an\u0131n usta avc\u0131s\u0131\u201d ve \u201cy\u00fczy\u0131l\u0131n g\u00f6z\u00fc\u201d s\u0131fatlar\u0131yla an\u0131l\u0131yor. Hayran\u0131y\u0131m. <\/p>\n\n\n\n

Sebastiao Salgado: <\/strong>Kendi deyimiyle \u201cd\u00fcnyam\u0131z\u0131a ithaf etti\u011fi bir a\u015fk mektubu\u201d oldu\u011funu belirtti\u011fi Genesis Projesi\u2019nde yer alan insan\u0131n akl\u0131n\u0131 alan, sert foto\u011fraflar\u0131n\u0131n yeri ayr\u0131. Tart\u0131\u015f\u0131lmazlar, e\u015fsizler. Hak edilmi\u015f \u00f6d\u00fcller, say\u0131s\u0131z kitap tesad\u00fcf de\u011fil. Hayat\u0131 ve \u00e7al\u0131\u015fmalar\u0131 \u00fczerine o\u011flu Juliano Salgado ve Wim Wenders\u2019in y\u00f6netmenli\u011fini \u00fcstlendi\u011fi \u201cSalt of the Earth\u201d belgeseli de inan\u0131lmaz. Ama bana ilham veren Salgado\u2019nun e\u015fi L\u00e9lia ile birlikte 90\u2019l\u0131 y\u0131llarda ba\u015flad\u0131klar\u0131 Brezilya\u2019daki Atlantik Orman\u0131\u2019n\u0131n restorasyonunda \u00e7al\u0131\u015fmalar\u0131 ve 1998\u2019de yakla\u015f\u0131k 17.000 d\u00f6n\u00fcm araziyi do\u011fa rezervine d\u00f6n\u00fc\u015ft\u00fcrmeyi ba\u015farmalar\u0131. <\/p>\n\n\n\n

Amy Gulick: <\/strong>Yazar ve foto\u011fraf\u00e7\u0131 Amy\u2019nin kitap adlar\u0131 ilgimi \u00e7ekti \u00f6nce. \u201cThe Salmon Way\u201d ve \u201cSalmon in Tree\u201d. A\u011fa\u00e7ta somon bal\u0131klar\u0131 m\u0131? Nas\u0131l yani\u2026  Sonra takip etmeye ba\u015flad\u0131m Amy\u2019yi. Amy do\u011fa foto\u011fraf\u00e7\u0131lar\u0131 aras\u0131ndayd\u0131. \u00d6d\u00fclleri, imza g\u00fcnleri, anlatt\u0131klar\u0131, dinleyenleri vard\u0131. Hem foto\u011fraf \u00e7ekmesi hem yazmas\u0131 ama ayn\u0131 zamanda aktivist olmas\u0131n\u0131 \u00e7ok \u00f6nemli buldum. K\u00fcresel iklimi d\u00fczenlemede b\u00fcy\u00fck g\u00f6rev \u00fcstlenen Alaska\u2019n\u0131n Tongass Ulusal Orman\u0131\u2019nda, a\u011fa\u00e7ta bir ay\u0131y\u0131 somon bal\u0131\u011f\u0131 a\u011fz\u0131nda foto\u011fraflam\u0131\u015f ve payla\u015fm\u0131\u015ft\u0131. Bu orman\u0131n b\u00fct\u00fcn ekosistemiyle vah\u015fi kalmas\u0131 i\u00e7in insanlar\u0131 m\u00fccadeleye \u00e7a\u011f\u0131r\u0131yordu. \u0130lham verici de\u011fil mi? <\/p>\n","protected":false},"excerpt":{"rendered":"

Do\u011fa, insan\u0131n sanatla olan ba\u011f\u0131n\u0131 nas\u0131l \u015fekillendirir? Lalehan Uysal, 30 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir Bu\u011fday Hareketi\u2019ne g\u00f6n\u00fcl vermi\u015f bir sanat\u00e7\u0131 ve tohum g\u00f6zlemcisi olarak do\u011fan\u0131n k\u00fc\u00e7\u00fck mucizelerinden biri olan tohumlar\u0131 sanat\u0131n\u0131n merkezine al\u0131yor. Hem yarat\u0131c\u0131 hem…<\/p>\n","protected":false},"author":7,"featured_media":298714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[804,1,3,18,716,26,1469,108],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/298711"}],"collection":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/comments?post=298711"}],"version-history":[{"count":7,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/298711\/revisions"}],"predecessor-version":[{"id":298750,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/posts\/298711\/revisions\/298750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/media\/298714"}],"wp:attachment":[{"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/media?parent=298711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/categories?post=298711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bugday.org\/blog\/wp-json\/wp\/v2\/tags?post=298711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}