{"id":1477,"date":"2018-01-03T07:36:16","date_gmt":"2018-01-03T04:36:16","guid":{"rendered":"http:\/\/www.bugday.org\/blog\/?p=1477"},"modified":"2018-01-03T12:36:26","modified_gmt":"2018-01-03T09:36:26","slug":"ekolojik-yasam-icin-ilham-veren-15-kitap","status":"publish","type":"post","link":"https:\/\/www.bugday.org\/blog\/ekolojik-yasam-icin-ilham-veren-15-kitap\/","title":{"rendered":"Ekolojik ya\u015fam i\u00e7in ilham veren 15 kitap"},"content":{"rendered":"

\u0130yi bir kitap, okurun d\u00fc\u015f\u00fcncelerinde, duygular\u0131nda ve ya\u015fam\u0131nda kal\u0131c\u0131 izler b\u0131rak\u0131r. Ayn\u0131 insan de\u011filsinizdir onu okuduktan sonra…<\/p>\n

Bu\u011fday Derne\u011fi olarak, bizi d\u00f6n\u00fc\u015ft\u00fcren, ekolojik ya\u015fam m\u00fccadelemizde bize ilham veren kitaplar\u0131 sizin i\u00e7in derledik.<\/p>\n

Walden – Henry David Thoreau<\/h2>\n

\"\"Sivil itaatsizlik anlay\u0131\u015f\u0131n\u0131n \u00f6nc\u00fclerinden say\u0131lan Amerikal\u0131 yazar, filozof ve \u015fair Walden G\u00f6l\u00fc k\u0131y\u0131s\u0131nda, \u015fehirden ve modern hayattan kopuk bir bi\u00e7imde ge\u00e7irdi\u011fi y\u0131llara ait deneyimlerini okurlar\u0131yla payla\u015f\u0131rken sosyal ve ekonomik hayata dair, bug\u00fcn i\u00e7in bile marjinal say\u0131labilecek fikirlerini \u00f6ne s\u00fcrmekten geri durmuyor. Amerika Birle\u015fik Devletleri’nin hen\u00fcz emekleme \u00e7a\u011f\u0131nda oldu\u011fu bir d\u00f6nemde, sanki insanlar\u0131n h\u0131rslar\u0131n\u0131n ve ihtiraslar\u0131n\u0131n varabilece\u011fi noktay\u0131 o g\u00fcnde g\u00f6rm\u00fc\u015f\u00e7esine, yaln\u0131zca do\u011fan\u0131n nimetlerinden ve ki\u015finin kendi eme\u011finden faydalanarak ya\u015fayaca\u011f\u0131 bir d\u00fcnya d\u00fczeni tasarlayan Thoreau ayn\u0131 zamanda tasarlad\u0131\u011f\u0131 d\u00fczenin ilk uygulay\u0131c\u0131s\u0131. \u0130flah olmaz bir m\u00fcnzevi olan Thoreau ile Walden G\u00f6l\u00fc k\u0131y\u0131s\u0131nda ge\u00e7irece\u011finiz saatler d\u00fc\u015f\u00fcnce d\u00fcnyan\u0131zda yepyeni kap\u0131lar a\u00e7acak.<\/p>\n

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Hep Yuvaya D\u00f6nmek – Ursula Le Guin<\/h2>\n

\"\"<\/a><\/p>\n

“\u00dctopyalar imk\u00e2ns\u0131zd\u0131r. Ama yazabiliriz” diyen fantastik edebiyat ve bilimkurgu ustas\u0131 Ursula Le Guin, i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7a\u011fla hesapla\u015fmak i\u00e7in gelece\u011fe bakmay\u0131 s\u00fcrd\u00fcr\u00fcyor. Le Guin’in \u00fctopyac\u0131 d\u00fc\u015f g\u00fcc\u00fcn\u00fcn en yarat\u0131c\u0131 \u00f6rnekleri aras\u0131nda say\u0131lan Hep Yuvaya D\u00f6nmek, ilk sat\u0131rlardan da anla\u015f\u0131laca\u011f\u0131 \u00fczere, geleneksel bir roman de\u011fil. \u00d6yk\u00fc, \u015fiir, mit, halk masal\u0131, drama, deneme ve belge gibi \u00e7ok \u00e7e\u015fitli bi\u00e7imleri g\u00f6z kama\u015ft\u0131r\u0131c\u0131 bir ustal\u0131kla kayna\u015ft\u0131ran bu kitap, uzak gelece\u011fe ait kurgusal bir etnografya olarak tasarlanm\u0131\u015f. Hep Yuvaya D\u00f6nmek, hen\u00fcz var olmayan bir co\u011frafyada, bundan y\u00fczlerce, belki binlerce y\u0131l sonra ya\u015fad\u0131\u011f\u0131 varsay\u0131lan Ke\u015f halk\u0131n\u0131n d\u00fcnyas\u0131n\u0131 anlat\u0131yor. Ke\u015fler, insanl\u0131\u011f\u0131n kendini y\u0131k\u0131ma s\u00fcr\u00fcklemesinin ard\u0131ndan, Kuzey Kaliforniya’da, Na Vadisi’nde ya\u015fayan bar\u0131\u015f\u00e7\u0131 bir halkt\u0131r. Le Guin, Ke\u015f halk\u0131n\u0131n etraf\u0131na inan\u0131lmaz bir ayr\u0131nt\u0131 zenginli\u011fiyle \u00f6rd\u00fc\u011f\u00fc toplumsal \u00fctopyay\u0131 bize kar\u0131\u015f kar\u0131\u015f tan\u0131t\u0131rken, belki de ABD’nin Amerikan yerlilerine olan borcunu \u00f6d\u00fcyor; \u00e7\u00fcnk\u00fc bu hayali halkla Amerikan yerlileri aras\u0131ndaki benzerlikleri g\u00f6zden ka\u00e7\u0131rmak olanaks\u0131z. Vadi’nin dokuz kasabas\u0131ndan Sin\u015fan’da do\u011fmu\u015f bir k\u0131z \u00e7ocu\u011fu olan Kuzey Bayku\u015fu’nun ya\u015fam \u00f6yk\u00fcs\u00fc etraf\u0131na eklemlenen bu kapsaml\u0131 etnografya, modern kapitalist toplumun kar\u015f\u0131 tezi denebilecek bir toplumsal ya\u015fam \u00f6nermesini etkileyici bir ikna g\u00fcc\u00fcyle ilmek ilmek dokuyor.\u00a0Ke\u015fler, insan-do\u011fa ili\u015fkisinden ba\u015flayarak, hi\u00e7bir yan\u0131 bug\u00fcn i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131za benzemeyen bir d\u00fcnyada ya\u015f\u0131yorlar. Zaman\u0131n, \u00e7izgisel olmaktan \u00e7ok, mevsimlik danslarla belirlenen d\u00f6ng\u00fcsel bir seyir izledi\u011fi bu d\u00fcnyan\u0131n belki en temel \u00f6zelli\u011fi, ilerlemeci ideale yabanc\u0131 olmas\u0131. Farkl\u0131l\u0131klar\u0131n oldu\u011fu gibi kabul edildi\u011fi bu toplumda, de\u011fi\u015fim, bir ilerleme ya da gerilemeye de\u011fil; sadece de\u011fi\u015fime i\u015faret ediyor. Ke\u015fler, d\u00fcnyan\u0131n geri kalan\u0131nda neler olup bitti\u011fiyle pek ilgilenmedikleri gibi, ba\u015flang\u0131\u00e7 ve sonu\u00e7larla da ilgilenmiyorlar. Merkezi k\u00fclt\u00fcrel kavramlar\u0131, her \u015feyin hem birbirine ba\u011fl\u0131 kal\u0131p hem de birbirinin etraf\u0131nda hareket etmesini sa\u011flayan “Eklem Yeri.”<\/p>\n

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Hayvan Yemek – Jonathan Safran Foer<\/h2>\n

\"\"<\/a><\/p>\n

Neden kahvalt\u0131da makarna yemiyoruz? Yemek yerken ald\u0131\u011f\u0131m\u0131z kararlar\u0131, neye dayanarak al\u0131yoruz? Neden kuzu eti yiyoruz ama k\u00f6pek eti yemiyoruz? K\u00f6peklerini seven Frans\u0131zlar, bazen atlar\u0131n\u0131 yer. Atlar\u0131n\u0131 seven \u0130spanyollar, bazen ineklerini yer. \u0130neklerini seven Hintliler, bazen k\u00f6peklerini yer. Peki ya siz hangi hayvanlar\u0131 seviyor, hangilerini yiyorsunuz?<\/p>\n

A\u015f\u0131r\u0131 G\u00fcr\u00fclt\u00fcl\u00fc ve \u0130nan\u0131lmaz Yak\u0131n ile Her \u015eey Ayd\u0131nland\u0131’n\u0131n parlak yazar\u0131 Jonathan Safran Foer, bu kez taba\u011f\u0131m\u0131zdaki yemeklerin \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yor. Hayvan Yemek, kurgulanamayacak denli deh\u015fetli birtak\u0131m ger\u00e7eklerin bize sofralar\u0131m\u0131z kadar yak\u0131n oldu\u011funu g\u00f6steriyor; insan\u0131n marifetlerini, t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla ortaya koyuyor. Hayvan Yemek, bir vejetaryenl\u0131k \u00e7a\u011fr\u0131s\u0131 de\u011fil, bir uyan\u0131\u015f \u00e7a\u011fr\u0131s\u0131… \u00c7atal\u0131m\u0131z\u0131 saplad\u0131\u011f\u0131m\u0131z \u015feyin “ne” oldu\u011funu, bize “neler oldu\u011funu” g\u00f6rmekten \u00e7ekinmeyenlere a\u00e7\u0131k bir davet. Tabaklar\u0131n\u0131z\u0131 ve midelerinizi doldururken bu sayfalarda yazanlar\u0131 g\u00f6z ard\u0131 edemeyeceksiniz.<\/p>\n

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Ekotopya – Ernest Callenbach<\/h2>\n

\"\"Ernest Callenbach’\u0131n bu roman\u0131, ABD’den ayr\u0131larak kendilerine ‘ekolojik hayat anlay\u0131\u015f\u0131’ ekseninde yeni bir ba\u011f\u0131ms\u0131z \u00fclke kuran insanlar\u0131n hayat\u0131 anlat\u0131l\u0131r. Dolay\u0131s\u0131yla, kolektif hayalin kolektif ger\u00e7e\u011fe d\u00f6n\u00fc\u015fmesini edebiyata ta\u015f\u0131yan unutulmaz romanlardan biridir “Ekotopya”. \u0130lk yay\u0131nland\u0131\u011f\u0131 zaman d\u00fcnyan\u0131n belli ba\u015fl\u0131 \u00fclkelerinde b\u00fcy\u00fck yank\u0131lar uyand\u0131rm\u0131\u015f, bug\u00fcn k\u00fcresel \u0131s\u0131nman\u0131n do\u011furdu\u011fu kayg\u0131lar\u0131n \u00f6nceli olacak \u015fekilde, ekolojik bilincin geli\u015fmesine b\u00fcy\u00fck katk\u0131da bulunmu\u015ftur. Callenbach’\u0131n roman\u0131, yery\u00fcz\u00fcn\u00fcn gelece\u011fini dert edinen herkes ad\u0131na birincil \u00f6nemde bir kitapt\u0131r.<\/p>\n

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Tobie Lolness 1-2 –\u00a0Timoth\u00e9e de Fombelle<\/h2>\n

\"\"<\/a>\"\"<\/a><\/p>\n

Minnac\u0131k bir kahraman Tobie Lolness me\u015fe a\u011fac\u0131nda ya\u015fayan bir halk\u0131n mensubu: Boyu bir bu\u00e7uk milimetre. \u015eimdiye dek ailesiyle birlikte a\u011fa\u00e7ta mutlu bir ya\u015fam s\u00fcrm\u00fc\u015f. Babas\u0131 her \u015feye merak\u0131 olan, zeki bir bilimadam\u0131: Sim; annesi Ma\u00efa\u2019ysa Sim\u2019e duydu\u011fu a\u015fk y\u00fcz\u00fcnden ailesinin zenginli\u011fine, kendi cimri annesine s\u0131rt \u00e7evirmi\u015f g\u00fc\u00e7l\u00fc bir kad\u0131n. Derken baba Sim ola\u011fan\u00fcst\u00fc bir ke\u015fif yap\u0131yor ama bu ke\u015ffin a\u011fa\u00e7taki ya\u015fam\u0131 tehlikeye ataca\u011f\u0131ndan korkarak onu insanlara a\u00e7\u0131klamaktan vazge\u00e7iyor. O noktaya dek b\u00fcy\u00fck sayg\u0131 g\u00f6ren bu bilimadam\u0131 ve ailesi birdenbire az\u0131l\u0131 su\u00e7lular haline geliyorlar a\u011fa\u00e7 halk\u0131n\u0131n g\u00f6z\u00fcnde. Tabii bunda g\u00f6z\u00fcn\u00fc iktidar ve para h\u0131rs\u0131 b\u00fcr\u00fcm\u00fc\u015f, kendi \u00e7\u0131karlar\u0131 u\u011fruna ya\u015fam\u0131n dengesini alt\u00fcst etmekten hi\u00e7 \u00e7ekinmeyen i\u015fadam\u0131 Jo Mitch\u2019in de dalaverelerinin pay\u0131 b\u00fcy\u00fck. Annesiyle babas\u0131 tutuklan\u0131yor ya Tobie ka\u00e7may\u0131 ba\u015far\u0131yor. Bir zamanlar evi, yurdu olan topraklarda art\u0131k bir ka\u00e7ak o. \u015eimdi tek ba\u015f\u0131na, ba\u015ftan a\u015fa\u011f\u0131, en tekinsiz kuytular\u0131ndan en b\u00fcy\u00fcleyici g\u00f6r\u00fcn\u00fcmlerine, a\u011fac\u0131 kat edecek. Belki babas\u0131 d\u0131\u015f\u0131nda herkesin iddia etti\u011finin tersine, a\u011fac\u0131n d\u0131\u015f\u0131nda da bir ya\u015fam oldu\u011funu ke\u015ffedecek, kendisininkine ko\u015fut, g\u00fc\u00e7l\u00fcklerle dolu, a\u011fa\u00e7tan d\u0131\u015flanm\u0131\u015f, gene minyat\u00fcr ama i\u00e7inde koskocaman y\u00fcreklerin att\u0131\u011f\u0131 bir ya\u015fam\u2026 Belki oradan geri d\u00f6nmek istemeyecek annesiyle babas\u0131n\u0131 hapsedip \u00f6l\u00fcm cezas\u0131na \u00e7arpt\u0131ran, kendisini de yakalad\u0131klar\u0131 yerde \u00f6ld\u00fcrmeye \u00e7al\u0131\u015facak a\u011fa\u00e7 insanlar\u0131n\u0131n aras\u0131na. D\u00f6nse bile, belki de art\u0131k \u00e7ok ge\u00e7 olacak. Metin Fran\u00e7ois Place\u2019\u0131n leziz desenleriyle bezeli. Eski masal kahramanlar\u0131n\u0131n kan\u0131n\u0131 ta\u015f\u0131yan, parmaktan da k\u00fc\u00e7\u00fck bir \u00e7ocu\u011fun; ya\u015fad\u0131\u011f\u0131 ser\u00fcvenlerle arkada\u015fl\u0131\u011f\u0131, kalle\u015fli\u011fi, sorumlulu\u011fu, ya\u015fam\u0131, do\u011fay\u0131 ve en \u00f6nemlisi kendini, s\u0131n\u0131rlar\u0131n\u0131, yapabileceklerini ve yapamayaca\u011f\u0131 \u015feyleri ke\u015ffeden bir \u00e7ocu\u011fun \u00f6yk\u00fcs\u00fc bu. Saint-Exup\u00e9ry \u00d6d\u00fcl\u00fc, Tam-Tam \u00d6d\u00fcl\u00fc gibi bir\u00e7ok \u00f6d\u00fcl alm\u0131\u015f, her yeri saran fantastik roman \u00e7\u0131lg\u0131nl\u0131\u011f\u0131 i\u00e7inde, her biri \u00f6tekilerin bir derlemesi gibi g\u00f6r\u00fcnen \u00f6yk\u00fclerin aras\u0131nda, A\u011fac\u0131n\u0131n damarlar\u0131ndaki \u00f6zg\u00fcn ayr\u0131nt\u0131larla bezeli, mikroskobik bir evrende b\u00fcy\u00fcyen, geli\u015fen duru bir y\u00fcre\u011fin ya\u015fad\u0131\u011f\u0131 b\u00fcy\u00fck ser\u00fcven anlat\u0131m\u0131ndan yaz\u0131m\u0131na, i\u00e7eri\u011fine, ger\u00e7ekten ba\u015fka bir se\u00e7enek sunuyor okura.<\/p>\n

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Sessiz Bahar – Rachel Carson<\/h2>\n

\"\"<\/a><\/p>\n

G\u00fcn\u00fcm\u00fcz \u00e7evrecilik ak\u0131m\u0131 onun \u00f6zellikle “Sessiz Bahar”la ba\u015flatt\u0131\u011f\u0131 b\u00fcy\u00fck tart\u0131\u015fmaya \u00e7ok \u015fey bor\u00e7ludur. Bu tart\u0131\u015fmalar\u0131n b\u00fct\u00fcn y\u00fck\u00fcn\u00fc g\u00f6\u011f\u00fcslemi\u015f, \u00e7ok s\u0131k\u0131nt\u0131l\u0131 d\u00f6nemler ge\u00e7irmek zorunda kalmas\u0131na ra\u011fmen toplum bireylerini tart\u0131\u015fman\u0131n oda\u011f\u0131na \u00e7ekebilmeyi ba\u015farm\u0131\u015ft\u0131r. “Sessiz Bahar” sistemli bir bilimsel \u00e7al\u0131\u015fman\u0131n \u00fcr\u00fcn\u00fc olmas\u0131n\u0131n yan\u0131 s\u0131ra, y\u00fcre\u011fi do\u011fa sevgisiyle dolu, ona verilen zararlar\u0131n sonucunu a\u00e7\u0131k se\u00e7ik ve net olarak g\u00f6rmenin duygusal y\u00fck\u00fcn\u00fc de \u00e7ok g\u00fc\u00e7l\u00fc bir \u015fekilde yans\u0131tan bir kitapt\u0131r.<\/p>\n

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Ekin Sap\u0131 Devrimi – Masanobu Fukuoka<\/h2>\n

\"\"<\/a><\/p>\n

Masanobu Fukuoka, do\u011fal tar\u0131m hareketinin Japonya’daki \u00f6nemli s\u00f6zc\u00fclerindendir. Bu e\u015fsiz eserinde, temel ald\u0131\u011f\u0131 hayat felsefesi ve al\u00e7akg\u00f6n\u00fcll\u00fc bilgeli\u011fiyle, do\u011fal hayat, do\u011fal tar\u0131m ve do\u011fal beslenme \u00fczerine bize engin bir deneyim sunuyor. Japonya’n\u0131n k\u00fc\u00e7\u00fck bir k\u00f6y\u00fcnde 60 y\u0131ld\u0131r s\u00fcrd\u00fcrd\u00fc\u011f\u00fc do\u011fal tar\u0131m y\u00f6ntemiyle, do\u011fan\u0131n kendini ve insan\u0131 nas\u0131l onarabildi\u011fini b\u00fct\u00fcn a\u00e7\u0131kl\u0131\u011f\u0131yla g\u00f6z \u00f6n\u00fcne seriyor.<\/p>\n

Modern tar\u0131m\u0131n yok edici etkilerini tersine \u00e7eviren 60 y\u0131ll\u0131k bu do\u011fal tar\u0131m \u00e7iftli\u011finde,<\/p>\n

 <\/p>\n